Spotify's New Apps: What the Critics Are Saying

Score a victory for Ronald Durkin, the trustee in the involuntary bankruptcy case involving Capitol, ThinkFilm and three other companies that were run by David Bergstein.our editor recommendsJudge Rules ThinkFilm and Other David Bergstein-Run Companies Can ReorganizeDavid Bergstein Wins in Court As Judge Refuses to Give Control of Film Companies to TrusteeDavid Bergstein Sues His Former Attorney for $50 Million Judge Rejects David Bergstein Trustee's Request to Abolish Attorney-Client PrivilegeDavid Bergstein Wins a Round in Ongoing Bankruptcy Proceeding On Wednesday, federal Judge Barry Russell granted the trustees motion to take control of Pangea Media Group, a company that Bergstein ran until it shut its doors earlier this year. PHOTOS: 9 Highest Paid Entertainment CEOs This is the first big victory for the trustee after several setbacks. The judge had earlier this year refused to allow Durkin to consolidate a number of the subsidiaries related to the bankrupt companies, which frustrated the trustee's efforts to exercise control over them. The judge had said the trustee could return and re-ask for control, but he had to do it one entity at a time. That is what the trustee has now done. Winning the motion to take control of Pangea, despite vigorous opposition from Bergstein and his former business partner Ronald Tutor, is now likely to be the first in a series of efforts to control all of the related assets. The judge said in making his ruling that it was clear Bergstein could not be trusted. This means Durkin can immediately run Pangea, which he has said he will put into bankruptcy. The judge left it up to Durkin to decide if it would be put into voluntary bankruptcy and whether that would be a Chapter 11 reorganization or a Chapter 7 filing, which would put it out of business completely. It also means Durkin has the right to all records related to Pangea, including correspondence among attorneys who have represented the company and Bergstein in the matter. Many of those communications have been kept under cover because of attorney-client privilege until now. An attorney for Tutor is said to have the Pangea records, which until now he has refused to turn over to the trustee. Tutor had said if Bergstein were removed as manager of Pangea, which is now the case, that he would sue for $2.5 million. That apparently relates to the amount of a loan held by a bank relating to the movie Father of Invention. Tutor apparently guaranteed that much of the cost of making and releasing that movie. The movie, starring Kevin Spacey, was released direct to video in October. The judge noted that threat and said in court that under bankruptcy law, Tutor would have no right to file such a suit now that he has issued a formal order placing Pangea under Durkin's control. This does not affect the judge's earlier ruling by which Aramid Entertainment Fund and other creditors are preparing their own plan for how to reorganize these businesses. That proposal is still due by Jan. 2. What this does do is strengthen Durkin's position as the trustee and allow him to move forward on tracking down millions in missing assets. PHOTO GALLERY: View Gallery 9 Highest Paid Entertainment CEOs David Bergstein

Ventana Sur lines up 'Aballay,' 'Violeta,' 'Cat'

BUENOS AIRES -- Fernando Spiner's "Aballay," Carlos Sorin's "The Cat Vanishes" and Andres Wood's "Violeta Visited Paradise" may have in Ventana Sur's tests selection. The Following Ventana Sur, a passionate Latin American film market organized by Cannes Marche du Film and Argentina's Incaa Film Institute, starts Friday in Buenos Aires, running through 12 ,. 5. Its primary challenge is simply to help keep momentum: Sales agents acquired no less than 15 game game titles a year ago. This edition's identifying trait seems just like a roster of initiatives specific at goosing distribution of movies from Latin America, not only overseas but furthermore with the region. A gaucho Western and vengeance tale of stark feelings in addition to starker Tucuman scrub-desert landscapes, "Aballay" may also be Argentina's foreign-language Oscar entry. Madrid-based KWA handles worldwide rights. First seen at Toronto, and provided by Bavaria Films Intl., "Cat's" tease mental drama of marital mistrust marks a large change of direction for vet Argentinean helmer Carlos Sorin ("Minimal Tales"). Another Oscar candidate, this time around around for Chile, Wood's "Paradise" has attracted upbeat reviews becoming an inventive portrait of intense Chilean singer-songwriter Violeta Parra. Dominican Leticia Tonos' "Love Child," a parent or gaurdian-daughter drama, Gonzalo Justiniano's "Has Anybody Seen Lupita?," an off-beat coming-of-age road movie, and Hernan Belon's "El campo," respected at Venice, also provide grew to become part of the choice. A clutch of greater profile game game titles -- for instance "Xingu," from Brazil's Cao Hamburger ("Your Entire Day My Parents Ongoing Vacation"), and Vinicius Coimbra's Rio fest multi-laureate "Matraga" -- hit Ventana Sur sans telemarketer. Benjamin Avila's "Clandestine Childhood," which developed a splash at San Sebastian's Films happening, will probably be proven in final cut inside a private screening. In eve in the market bulletins, Madrid's Urban Films has already established worldwide sales rights for the voluminous catalog of Chile's Gitano Films. France's Pyramide Intl. is dealing with the marketplace "Wakolda," an unsettling mental thriller-drama from Argentina's Lucia Puenzo ("XXY"). But Ventana Sur isn't departing commerce to advertise forces alone. "I don't think Latin America's totally closed to films within the relaxation in the region," mentioned Versus co-director Jerome Paillard. There might, however, be "a vicious circle,In . where "audiences aren't taught to see Latin American films, so entrepreneurs aren't motivated to assist them." To combat this, Ventana Sur bows a completely new strand, Festivals in Focus, and Primer Corte features a novel Copia prize. Round tables round the Mercosur market, crowd-funding, creating without Europe, regional funding and digital TV occur at Argentina's Catholic College (UCA), 150 yards later on from Ventana Sur's Cinemark Puerto p Madero eight-plex. CNC prexy Eric Garandeau presents Thursday France's new-look World Cinemas Aid fund. Brazil's Ancine film board as well as the Galician Audiovisual Consortium are supplying new grants or loans or financial loans for co-productions. Promotion board Cinema Chile sets forth intends to reboot film and tv in Latin America Variety itself will host a panel, Latin America: Up Next, a showcase for on-the-rise talent. One challenge continuing to move forward, mentioned Liliana Mazure, Incaa prexy, is always to "increase Latin American films participation inside the worldwide market." That could mean, among many other things, developing a bigger volume of bigger productions. A clutch of game game titles, which repetition step-ups in scale for company company directors, will probably be introduced at or just after Ventana Sur. Growth for Latin America's marketplace is no slam dunk, however. Nevertheless it presently looks unwavering. Yes indie entrepreneurs still need as much aid as they can get. Goosing their audience interest, a European Film Week, designed and presented by Cannes topper Thierry Fremaux, unspools November. 29- 12 ,. 6 in Buenos Aires. All game game titles have Argentine distribution. Nonetheless they still require style inside their promotion. On Thursday, Fremaux can have "Melancholia." Brothers and sisters Jean-Pierre and Luc Dardenne will discuss their "A Kid While using Bike" Wednesday evening. Contact the number newsroom at news@variety.com

Watercooler: Not such a long time ago Enchants Once Again

Raphael Sbarge, Lana Parrilla OK, so Wally Disney is either relocating the grave or LOLing within the beyond. Hopefully it's the latter, because Not such a long time ago can be a hoot. It may be unfortunate to think about the man behind a control button wouldn't be lower while using fun being been on Storybrooke.Since the season's top new drama, the wonderful series remains delivering large-time amounts and smiles by the bucket load, having its fractured undertake favorite anecdotes, cheeky tweaks to classic figures, and rapid-fire nods to Disney staples together with other out-there area. A Dalmatian named Pongo? Love! As well as the Apollo bag of chips from Lost? Love more!Last evening, Once offered up another enchanting episode, this time around around devoted towards the fairy-tale backstory of Henry's counselor Archie Hopper, sometimes known in old-school circles as Jiminy Cricket. It absolutely was an inspired outing that presented both cartoonish disadvantage-artist version and Storybrooke's shrink edition as careful good males stuck beneath the thumb of bad people. Despite the fact that we are in a position to spend several hours and several hours inside the Evil Queen's kingdom, the altering mythology nowadays within this-age plot is making that timeline the primary one to check out...truly carefully. What's tabs on people tunnels running under that town? Who's Henry's father? So when you didn't get chills each time a certain legendary umbrella saved your entire day through the climactic mine-collapse save, wrong together with you?!Just focus and shoot loving Not such a long time ago, too?Subscribe to TV Guide Magazine now!

How 'Grey's Anatomy' Star Ellen Pompeo, HBO's Sue Naegle Promote Children at Thanksgiving

Real Regular folks of Beverly Slopes castmemberLisa Vanderpump --the British transplant who has, along with her husband,Ken Todd, Apartment Blanca inside the Golden Triangular and Sur restaurant in West Hollywood -- has within the last two several days folded out Sur Lounge inside an adjacent address.our editor recommends'Real Regular folks of Beverly Hills' Premiere: What Experts Say'Real Regular folks of Beverly Hills' Season 2 Premiere Up 42% From Last Year'Real Regular folks of Beverly Hills' Premiere: Cast People Discuss Russell Remedy Suicide on 'Today' (Video)'Real Regular folks of Beverly Hills' Premiere: First 10 Fights of Season 2 inchWe're right in the heart of a few things i call the Pink Triangular, with Cecconi's, that's rather straight, on one finish, and [perennial gay bar] the Abbey further up Robertson alternatively,Inch she states. VIDEO: Emmy Reality Roundtable The happy couple features a extended good status for running evening existence venues like Lupo and Mai Tai working in london, but that is their first local after-dark effort since they are situated in L.A. "It's simpler london because of the ft traffic," Vanderpump confesses. "You just create a beautiful space those could find it and stop in." Of course, Vanderpump handled the décor herself, delivering her signature multicultural-glamour-explosion style leading to bejeweled European chandeliers talking about space with massive Asian religious sculpture. STORY: 'Real Regular folks of Beverly Slopes': Keep your Friend's Pals Close "I needed just a little from this level, just a little next,In . she states."You will discover some industrial elements coupled with little velvet mushroom stools that we had made. Huge, extra-extended leather Chesterfields. Lots of plants. A Few Things I have purchased throughout my travels and introduced in. I used to be trying to find an eclectic feeling. Can it be Vietnamese? Balinese? French? I desired you to definitely certainly not be capable of put your finger about it.In . When the 2,500-square-ft space emerged available, Vanderpump states they and Todd understood they have to have it. More 'The Real Regular folks of Beverly Slopes' Coverage on THR "Essentially missed it and the other person first first got it I'd have regretted it," she states. "[The venture] is not a danger. During the foreign exchange market, it's a given." Her crowd, she claims, originates calling: "Agents, fashion aficionados, Miley Cyrus. It's a hotbed. I understood it may be.In . 612 N. Robertson Blvd., West Hollywood, 310.855.0880, surlounge.com Related Subjects Miley Cyrus The Particular Regular folks of Beverly Slopes Dining Lisa Vanderpump

Do We Need to Stage a Career Intervention For Rachel McAdams?

Way back in June, Spyglass Entertainment debuted the first trailer for The Vow, the latest Rachel McAdams romance film involving memory loss. It was depressing to see our former Notebook sweetheart diving headfirst into another melodramatic title. Like McAdams’s Vow character though — who is struck with amnesia after a parked car accident involving an overplayed Meatloaf single — I forgot about the former starlet’s downwardly spiraling filmography…until today’s new preview for The Vow reminded me, it’s about time someone stages a career intervention for Rachel McAdams. Exhibit A in the case for Rachel McAdams to stop and seriously re-evaluate the direction of her career: The trailer that incited this intervention. Get More: Sam Neill, Scott Speedman, Rachel McAdams, Channing Tatum, Movie Trailers, Movies Blog To paraphrase McAdams’s The Vow character, who pleads with her husband (Channing Tatum) to turn off Meatloaf’s “I’d Do Anything For Love” shortly before “the accident:” You do not like these kinds of melodramatic films, Rachel. Please stop. This is the second amnesiac romantic drama character you’ve played, who, over the course of a movie, must fall back in love with your husband. (Sure, most of the memory loss in The Notebook was left to Gena Rowlands, who played your older counterpart, but still!) One amnesia-torn love story is enough. It is not just that, though. It is McAdams’s humdrum choices ever since 2004’s The Notebook and 2005’s Wedding Crashers, both of which pitted the actress in the kind of role she has never strayed far from: Charming upper middle class white girl love interest. To her credit, McAdams has tested different genre waters (albeit unsuccessfully). There was the plane thriller Red Eye, the cancer holiday picture The Family Stone, the period drama Married Life, the army road movie The Lucky Ones, the political thriller State of Play, the adapted romance The Time Traveler’s Wife, the blockbuster Sherlock Holmes: A Game of Shadows and the Woody Allen movie Might in Paris. Unfortunately, in spite of these wide-ranging genres and the potential stage they each offered McAdams to break out of her shell and play anyone other than a distant Allie Hamilton relative, McAdams seems to reiterate the same character repeatedly. Granted, some actresses have been able to mine successful careers out of that no-range formula if they (or their managers) have an eye for blockbusters. Case in point: Katherine Heigl, who always plays Katherine Heigl, and until The Killers, enjoyed box office popularity because of her keen guilty pleasure picks in Knocked Up, 27 Dresses and The Ugly Truth. But post-Notebook McAdams has neither given us films that audiences care to see (unless she is in a supporting role) or powerful dramatic performances that have established her as anything but a rom-com star who can score big at the box office with the right co-star. I root for McAdams, and I hope that she can eventually prove her range as an actress that viewers once expected great things from. Please Rachel, stop whiffing at the plate with rom-coms and start giving viewers the kinds of performances they expected from you after seeing Mean Girls. There is a glimmer of hope…the upcoming Untitled Terrence Malick project to which McAdams is attached with Jessica Chastain, Ben Affleck, Rachel Weisz and Javier Bardem. The drama may sound like a formulaic rom-com — it “centers on a man who reconnects with a woman from his hometown after his marriage to a European woman falls apart” — but at this point, I’ll trade in any of her 2005 to 2011 credits for a well-directed Rachel McAdams romance…or if I can’t have that, short-term amnesia.

Napa fest picks 'Mamitas,' 'Kumare'

The initial annual Even Caribbean Cruise ships Film Festival given out honours and vino the 2009 weekend, and introduced it'll be coming back next season, November 7-11, for round two.Judy Greer, who is able to be viewed within the 2010 "The Descendants," received a fest tribute on her behalf film work. The fest's rising star tribute visited Felicity Manley, star of "Constantly.InchInchMamitas," directed by Nicholas Ozeki, won the juried narrative feature jury award getting a $10,000 cash prize, together with the crowd award for narrative feature. Juried doc honours visited "Kumare," directed by Vikram Gandhi, for top docu to "First Generation," directed by Adam and Jaye Fenderson, which won special mention for social impact also to Jack Sanderson in "Becoming Santa" for top docu subject, directed by Rob Myers.Juried narrative honours incorporated a distinctive award for creative excellence to "David," directed by Joel Fendleman and co-directed by Patric Daly because the Mt. Veeder peak performance for top acting in the feature was granted to Amber Jaeger in "Take Me Home," directed by Mike Jaeger.Audience award for docu visited "Wild Equine Wild Ride," directed by Alex Dawson and Greg Gricus, while "Another F Word," directed by Andrea Blaugrund Nevins, was named the widely used lounge feature.The recording clip individuals who win can be found at NapaValleyFilmFest.org. Contact the number newsroom at news@variety.com

Lou Maletta dies at 74

Lou Maletta, who gave visibility and voice to the AIDS crisis and gay and lesbian issues as the founder of the Gay Cable Network, died of liver cancer on Nov. 2. He was 74. A mix of talkshows, news and cultural programming and sex-themed fare, his network had a 20-year run of original programming, which "demonstrated enormous staying power in an adverse commercial and social climate for gay content," wrote Andy Humm, the host of the show "Gay USA," the successor to weekly series that started on Gay Cable Network in 1985. Humm wrote in Gay City News that "long before 'Ellen,' Logo, out gay news anchors and the rise of the Internet, Maletta was reaching hundreds of thousands of LGBT people hungry for representations of themselves and news about the burgeoning movement." As cable TV expanded throughout the country, Maletta capitalized on the availability of leased-access channels. He started a show in upstate NY called "Men and Films," in which he edited pornographic films for a wider audience. His ambitions soon expanded into other programming, much of it centered in Manhattan but distributed to 20 other cities, as AIDS became an epidemic. What motivated Maletta, Humm said in an interview, was watching a 30-year-old friend turn into someone who looked 90 after being diagnosed, Maletta told Gay City News in 2009. "No one had seen a KS lesion on TV until we put it on cable." By 1984 the network was covering politics, not just in NY but nationwide, and sent crews to the political conventions of both parties that year. Humm remembers he and others trekking to the conventions and interviewing any politician they could, asking questions about the AIDS epidemic and gay and lesbian issues that were not getting play in the mainstream media. Among those who were queried were George W. Bush, Strom Thurmond, Ann Richards and Bob Dole. Dole was asked whether there was "a place for gay people in the Republican party," Humm recalled. He responded, "Maybe somewhere." Maletta "had this philosophy that we could do something important for the community if we were on TV," Humm said. "That is still very important, even with the Internet." Maletta didn't fulfill a goal of creating a 24-hour gay cable network, but in 2005, Viacom launched Logo, aimed at a gay and lesbian audience. In his later years, after he retired in 2001 and closed the network, Maletta sought a home for the extensive archive of 6,000 hours of programming, which eventually landed at NYU's Fales Library. Maletta is survived by his partner of 37 years, Luke Valenti, and a daughter by a previous marriage. Contact Ted Johnson at ted.johnson@variety.com

Exclusive: Law & Order: SVU Casts Detective Amaro's Estranged Wife

Laura Benanti The Playboy Club alum Laura Benanti has been cast as Detective Nick Amaro's wife Leanne on Law and Order: Special Victims Unit, TVGuide.com has learned exclusively. Benanti joins the show when her character returns from overseas and she and Amaro (Danny Pino) must figure out where their relationship stands. Law & Order: SVU's Dann Florek on going undercover, blowing up the formula in Season 13 Benanti, who played the Bunny Mother on the quickly canceled NBC series, will have a three-episode arc. Her first episode, "Spiraling Down," will air in December.

Os 3

A Warner Bros. South america discharge of a Cinema Sport Club presentation and production, in colaboration with Warner. Bros., using the participation of TeleImage. Created by Nando Olival, Ricardo Della Rosa. Executive producers, Wellington Pingo, Claudia Bueschel. Directed by Nando Olival. Script, Olival, Thiago Dottori.With: Juliana Schalch, Gabriel Godoy, Victor Mendes, Sophia Reis, Rafael Maia, Alceu Nunes, Henrique Taubate, Cecilia Homem p Melo.A student love triangular will get a fancy transformation in "Os 3," from Brazilian rookie scribe-helmer Nando Olival. Story of two men along with a woman, whose intimate friendship begins once they concurrently wiggle their distance to your bathroom, slyly comments on auds' own voyeurism once the threesome get their attic fitted with cameras that record their every move in your own home. Though not really a biting critique of consumerist culture or even the reality-TV craze, pic cleverly milks its setup for narrative twists and turns. The mainstream-oriented, Warner Bros. South america production is going to be launched in your area November. 11, and it has remake potential. Olival and cinematographer Ricardo Della Rosa ("Home of Sand," "Lope") also created through their new shingle, Cinema Sports Club. Their background in advertisements is felt on the thematic level but particularly in the pictures, using their amber-implanted, slightly saturated color scheme and employ of shallow focus. Pop aesthetic is further strengthened through the song options and sharp cutting. Onscreen definitions of friendship, love, passion and lust open the film, which concepts, as with any threesome tale with credibility, end up being elastic and fuzzy. In a wild house party in Sao Paulo, three college students bond while arranging for that bathroom: cute but from time to time uptight Rafael (Victor Mendes), who thinks themself a author pretty Camila (Juliana Schalch), who would like to be an actress and Caze (Gabriel Godoy), an average person who invites these to accept him inside a barely converted industrial space. The only real house rule for that communication studies undergrads: no kissing with no sex. But here, as elsewhere within the film, Olival and co-scribe Thiago Dottori ("VIPs") setup a familiar cliche, then subtly subvert it. The greatest ace in the pic's sleeve may be the friends' joint graduation project: a suggested Web reality show by having an integrated online shop that enables audiences to purchase regardless of the figures onscreen are utilizing or putting on. Guilherme (Rafael Maia), the marketing-savvy grand son of two graying department-store proprietors (Alceu Nunes, Henrique Taubate), loves their idea and convinces his family to create the project a real possibility within the trio's attic. Once the cameras catch some three-way canoodling one drunken evening, the show becomes this type of hit that Guilherme demands a threesome's what you want. Though they initially reject the concept, Raf the author and Camila the actress finally put their abilities towards the test, turning the goings-on in their home into largely scripted fare. This can lead to some lightly comic material including Caze, who can't act, and Raf, who's uncomfortable with finding yourself in rapport with another guy, too -- a imaginary one. Third act cleverly piles around the plot twists because the characters' real feelings crystallize among their very own progressively vague notions of what's still real and what's make-believe. The 3 up-and-comers play their roles well and feel even more real to be appealing instead of impossibly handsome. They are almost upstaged by veterinarians Nunes and Taubate, who seem the Brazilian same as Statler and Waldorf. Olival's mise-en-scene exploits production designer's Near Azevedo's sets well, using framework and particulars for example glass and lightweight to adjust ideas of searching and amounts of seeing. Fortunately, actual camera footage from the reality show is restricted. Portuguese-language title only denotes "Us 3."Camera (color, HD-to-35mm), Ricardo Della Rosa editor, Daniel Rezende music, Erectile dysfunction Cortes production designer, Near Azevedo costume designer, Andre Simonetti seem (Dolby Digital), Miriam Biderman, Ricardo Reis casting, Sang Sfai. Examined at Rio p Janeiro Film Festival (competing), March. 16, 2011. Running time: 78 MIN. Contact Boyd van Hoeij at news@variety.com

Almost for each other

A Falling Rock Zone Prods. production. Created by D.L. Glickman, Michaela McKee. Executive producer, Glickman. Directed, compiled by Mike Neave.With: Alex Karpovsky, Marjan Neshat, Gary Wilmes, Alan Cumming, Adam Rapp, Katherine Waterston, Elizabeth Kapplow, Christy Pusz, Michael Warner, Leslie Lewis Sword, Montgomery Maguire, Mizuo Peck, Darrill Rosen, Gretchen Hall.The feature for Mike Neave's "Almost for each otherInch would be that the helmer shot the pic in only two takes, around 40 minutes each. While unquestionably difficult, the unit must be greater than a gimmick to create an effect, and regrettably there is no no reason with this ultra-indie chatfest to become so technically rigorous yet significantly minimal. Watching and hearing unexciting thirtysomethings say unexciting things at two parties simply does not grab the interest, although the other half has a little more vitality. A short run is probably at niche houses. Sunset on the Staten Island terrace features fabulous sights as Sasha (Alex Karpovsky) hosts a barbecue for buddies. He's wishing to reconcile with ex g.f. Mia (Marjan Neshat), but Lee (Adam Rapp) invites their old buddy Kyle (Gary Wilmes), despite knowing from the brief fling he and Mia had after Sasha's breakup. Part two is shot at sunrise inside a fashion Hamptons home following Sasha's wedding to Faye (Gretchen Hall), where party visitors (among whom is performed by Alan Cumming) conclude a late evening with chatter have less thought and on drunken inconsequentialities. It isn't that auds want figures to sit down around and discuss Heidegger for 80 minutes, however the banal conversations here play like uninspired improv and also the participants are rarely interesting. Neave ("Cry Funny Happy") gave the thesps a script while encouraging ad libbing, yet too frequently the outcomes play as an acting exercise where the thesps can't be as extemporaneous as needed. More notable would be the tech elements, especially Neave's utilization of seem Daniel McKeown's camera wanders to unmiked conversations because the seem stays on dialogue despite the loudspeakers have moved from frame. Conceptually, it nicely conveys the sense that conversations carry on lengthy after they have left the image space, although the application with this stylization remains limited, a minimum of as shown here. A hands or arm from time to time obscures the camera's subject, however sometimes it appears as though your camera itself is not quite sure who the topic is, roving aimlessly as though searching for something interesting to choose.Camera (color, HD), Daniel McKeown production designer, Elizabeth Johnson seem, Bryan Dembinski, Nick Huston. Examined at Abu Dhabi Film Festival (New Horizons), March. 15, 2011. Running time: 80 MIN. Contact the range newsroom at news@variety.com

Advice from Actorfest NY (Video)

Duncan Stewart, director of casting at National Artists Management Company, talks about opening every submission and what he wants to see in a headshot.; casting; Duncan Stewart; headshot; NY city; open submissions; Duncan Steward, director of casting, talks about what he wants from an actor in a general meeting, mainly truth, likability, and lack of ego.; advice; casting; Duncan Stewart; NY city; tips; Duncan Stewart, director of casting, talks about what he expects from an audition and common mistakes actors make.; advice; auditions; casting; Duncan Stewart; NY city; Alaine Alldaffer breaks down the real role of a casting direcor.; Alaine Alldaffer; casting; casting director; Grey Gardens; play; stage; theater; Casting director Alaine Alldaffer talks about casting "Saved" and all the misconceptions about being an actor in NY City.; Alaine Alldaffer; casting director; NYC theatre; play; saved; NY casting director Bernie Telsey describes what actors need to know before walking into an audition. (Part 1 of 2) ; Bernie Telsey; casting director; We spoke with casting director Mark Teschner about working on soap operas. (Part 1 of 3) ; General Hospital; Mark Teschner; soap opera; NY casting director Bernie Telsey describes how to give your best audition. (Part 2 of 2) ; Bernie Telsey; casting director; We spoke with casting director Mark Teschner about working on soap operas. Need only beautiful people apply? (Part 2 of 3) ; General Hospital; Mark Teshner; soap opera; We spoke with casting director Mark Teschner about auditioning for soap operas. (Part 3 of 3) ; General Hospital; Mark Teschner; soap opera; Videos for the Back Stage News & Features section.